| Mark Applebaum: | S-tog |
| Sargasso (+83) | |
| Sergio Assad: | Itaipava |
| Svitlana Azarova: | Chronometer |
| Virko Baley: | "... a trois" |
| Emily Dickinson Songs | |
| Persona II | |
| Paul Barker: | El Gallo |
| Elbio Barilari: | Canyengue *world premiere |
| John Baur: | Etudes for Guitar |
| Bela Bartok: | String Quartet No. 2 |
| Ludwig van Beethoven: | Trio in Eb Major, Opus 20 |
| Luciano Berio: | O King |
| Bjorn Berkhout: | fa/sil |
| Antoine Beuger: | three drops of rain |
| John Bilotta: | Petroushka Dreams |
| William Bolcom: | Amor |
| Seth Boustead: | Intone *world premiere **commission |
| Paul Bowles: | April Fool Baby |
| Letter to Freddy | |
| William Brooks: | Small Talk |
| Zack Browning: | Network Slammer |
| Herbert Brün: | Dustiny |
| Gesto | |
| The Laughing Third | |
| John Cage: | 0' 00" |
| Music for Three | |
| Three2 | |
| Variation I | |
| Variation III | |
| Juan Campoverde: | L'infini turbulent |
| Elliott Carter: | Changes |
| Figment No. 1 | |
| Gra | |
| Scrivo in Vento | |
| Pablo Chin: | String Trio |
| Kaval Imaginario | |
| Minsoo Cho: | The Day |
| Barney Childs: | A Music; that it might be. . . |
| Kyongmee Choi: | Onomatopoetic Mimesis |
| Alan Cole: | Small Fantasia |
| Matthew Coley: | Concealed Chambers |
| Aaron Copland: | Duo for flute and piano |
| George Crumb: | Makrokosmos (Vol. II) |
| Night of the Four Moons | |
| Vox Balaenae | |
| Luigi Dallapiccola: | Ciaccona, Intermezzo e Adagio |
| Mario Davidovsky: | Synchronism No. 1 |
| Synchronism No. 3 | |
| Peter Maxwell Davies: | Renaissance Scottish Dances |
| Claude Debussy: | Syrinx |
| Brad Decker: | BOB |
| Montage | |
| Agostino DiScipio: | Paesaggio scalare n.1 |
| Paesaggio scalare n.2 | |
| Timothy Edwards: | Onomotopoeia |
| Hanns Eisler: | Freudenmadchens |
| Lied der Kupplerin | |
| Über den Selbstmord | |
| Roman Cantata | |
| Giuseppe Englert: | Monolith for two pianos, in memorium H.B. |
| Morton Feldman: | Durations 2 |
| Intersection 4 | |
| Projection 1 | |
| Projection 5 | |
| Paul Failla: | putty |
| George Flynn: | Toward the Light |
| Christopher Fox: | BLANK |
| Lawrence Fritts: | Mappaemundi |
| Amos Gillespie: | Tempered Heathen |
| Nasty Infectious Disease Disneyland! |
|
| Vinko Globokar: | Corporeal |
| Osvaldo Golijov: | Yiddishbbuk *Chicago premiere |
| Geoffrey Gordon: | Bright White Smooth |
| wrecked angels . . . | |
| Guillermo Gregorio: | Alsina 1743 + Canaro Erratum *Chicago premeire |
| otra musica | |
| Ben Grosser: | If But Or |
| Inappropriate Relationship | |
| ]lotted ebb | |
| Jesse Guessford: | Ann Street |
| ENVolve | |
| George I vs. the Very Bad Man From the East | |
| Fareed Haque: | Airplanes #world premiere |
| Thom Hasenpflug: | South of Jupiter |
| Hans Werner Henze: | Serenades |
| Charles Ives: | Memories A, -Very Pleasant |
| Memories B,- Rather Sad | |
| The Cage | |
| At the River | |
| Scott Johnson: | Cold War Suite |
| Timothy E. Johnson: | Hospicio e Deus |
| Sonata Urbana | |
| Josef Jurek: | Circulation, Continuity, Eventuality |
| Mauricio Kagel: | General Bass |
| Faraj Karajev: | A crumb of music for George Crumb |
| Fusun Koksal: | Around Circles' |
| Paul Koonce: | Breath and the Machine |
| Hothouse | |
| Midnight Oil | |
| Robert Kritz: | Connection #3 |
| Evan Kuchar: | Enwrapt *Chicago Premiere |
| David Lang: | Men |
| Michael Leese: | Dilling Fantasy |
| Shadows | |
| Gustavo Leone: | Blue Sextet |
| Green Quintet | |
| Rami Levin: | Rain has fallen |
| Burt Levy: | Orbs |
| Gyorgi Ligeti: | Musica Ricercata |
| Magnus Lindberg: | Mano a Mano |
| Charles Lipp: | Diaphane, adiaphane |
| Pieces for Bassoon | |
| The Terrorist | |
| Robert Lombardo: | Dark Pastorale |
| Tom Lopez: | Hollow Ground |
| Ricardo Lorenz: | Cecilia en Azul y Verde |
| Alvin Lucier: | Letters |
| Erik Lund: | Raccontini |
| Witold Lutoslawski: | Partita |
| Sacher Variation | |
| Subito | |
| Boris Lyatoshynsky: | Trio No. 1, Op. 7 |
| Don Malone: | Hoe |
| Sal Martirano: | Phleu |
| Sampler: Everything goes when the whistle blows | |
| Askell Masson: | Prime |
| Mike McFerron: | Dos Paisages |
| dARIA | |
| Improvisations for cello and percussionists | |
| Stationary Fronts | |
| Winter Solstice | |
| Thomas Mejer: | Circle Aleatorik Nos. 8, 9, 10, and 12 |
| Olivier Messiaen: | Le Merle Noir |
| Quartet for the End of Time | |
| Julia Miller: | Sketch Suite |
| Janice Misurell-Mitchell | Dark Was the Night |
| Nicole Mitchell: | Waterdance *world premiere |
| James Mobberley: | Balancing Act |
| Beams! | |
| SHEBAM | |
| Patricia Morehead: | Conversazione con il Diavolo |
| Robert Muczynski: | Time Pieces |
| Tristan Murail: | Tellur for guitar |
| John Musto: | Resume |
| Nothing Gold Can Stay | |
| The Rose Family | |
| Ryo Noda: | Mai |
| Per Nørgård: | Trio, op. 15 |
| Paul A. Oehlers: | Automaton |
| Archetypal Infusion:MemEry2k | |
| Character | |
| Juggernaut *world premiere **commission |
|
| MFL | |
| Residual Impact | |
| Spawn | |
| Three Songs after Anna Akhmatova *world premiere **commission |
|
| Helmut Oehring: | Foxfire Drei |
| Maurice Ohana: | Si le jour parait... |
| Hajime Okumura: | Jahrensfang in Japan |
| Graciela Paraskevaidis: | libres en el sonido presos en el sonido |
| Susan Parenti: | No, Honey, I can do it |
| Poet Retracts | |
| Arvo Pärt: | Psalom |
| Anastasiya Pavlyuk: | Schrezo |
| Krzysztof Penderecki: | Clarinet Quartet |
| Victor Pichardo: | Albricias |
| Deus Ex Machina | |
| Sergey Pilyutikov: | Together with Light Air |
| Morgan Powell: | BEATITUDES foRAY |
| Christopher Preissing: | Conversations |
| Hardcore *world premeire | |
| David Psenicka: | = = |
| 0 | |
| normalization | |
| Anthony Ptak: | American Copper |
| Bubalus Bubalis | |
| Shulamit Ran: | East Wind |
| Private Games | |
| Soliloquy | |
| For an Actor:Monologue for Clarinet | |
| William Jason Raynovich: | a total stranger one black day of man to God/of God to man |
| Clarinet Sonata *Chicago premiere | |
| Duet for solo violoncello | |
| Fantasy | |
| into a truly | |
| MEan | |
| NUMB #2 | |
| RAT | |
| Resp’ #3 for violoncello *world premiere |
|
| Resp’ #4 for alto saxophone | |
| Still | |
| vc pc | |
| whirl |
|
| World,conceive a man *world premiere | |
| WZJB in drone | |
| Maurice Ravel: | Chansons madécasses |
| Sonata for violin and violoncello | |
| Tomi Räisänen: | Diabolic Dialogues |
| Forged | |
| Grus | |
| Reforged | |
| Nikola Resanovic: | alt.music.ballistix |
| Analogues |
|
| James Romig: | Sonnet 1 |
| Wolf Rosenberg: | Sonata |
| Kaija Saariaho: | Sept Papillons |
| Boguslaw Schaeffer: | Project for Bassoon and Tape |
| Peter Sculthorpe: | Threnody |
| Ruben Seroussi: | Two Saphardic Songs for guitar |
| Jazz… á propros de Matisse | |
| Salvatore Sciaarrino: | Come vengono prodotti gli incantesimi? |
| Capricci #4 and #5 for solo violin |
|
| Morte Tamburo | |
| Zachary Seldess: | Findings |
| Arie Shapira: | Ex Machina |
| Jingle | |
| Play as Written | |
| Alexander Shchetynsky: | Crosswise |
| Epilogue | |
| Music in Memory of Bibik *Chicago premiere | |
| Way to Meditation | |
| Valentin Silvestrov: | Three Postludien |
| Sergey Slonimsky: | Lyrical Verses |
| Stuart Saunders Smith: | Noble Snare |
| Karlheinz Stockhausen: | Dr. K - Sextet |
| In Time | |
| Steven Stucky: | Nell'ombra, Nella Luce |
| Stephen Syverud: | Bevelled Forged Steel |
| Toru Takemitsu: | Itinerant...In Memory of Isamu Noguchi |
| Heinrich Taube: | Swansongs |
| James Tenney: | Cellogram |
| Christ Mass Sex Dance | |
| For Ann (rising) | |
| Harmonium | |
| Having Never Written a Note for Percussion |
|
| Interim | |
| Listen | |
| Monody | |
| Three Rags | |
| Swell #2 | |
| Voices 2 | |
| Sever Tipei: | Curses |
| dARIA | |
| Kings Nap | |
| Cole Thorton: | Sonata I |
| Joan Tower: | Petrushkates |
| Platinum Spirals |
|
| Wings | |
| Augusta Read Thomas: | Two Etudes for solo piano |
| David Vayo: | Berceuse |
| Three for Two | |
| Heitor Villa-Lobos: | Choros No. 2 |
| Craig Walsh: | Junket |
| Lines | |
| Gregory Wanamaker: | Duo Sonata |
| Anton Webern: | Three Pieces for Cello and Piano |
| Kurt Weill: | Der Abschiedsbrief |
| Lost in the Stars | |
| My Ship | |
| Mr. Right | |
| There's Nowhere | |
| What Good Would the Moon Be | |
| Paul Westerberg: | Night Music I |
| Amy Williams: | Cineshape I |
| Christian Wolff: | Dark as a Dungeon for solo clarinet |
| Dark as a Dungeon for trombone and double bass | |
| Music for 1, 2, or 3 People | |
| Music for Magnetic Tape | |
| Pairs | |
| Two Players *world premiere | |
| Scott Wyatt: | In the Arms of Peril |
| Iannis Xenakis: | Charisma |
| Mikka | |
| Roman Yakub: | _The Middle of the Void_ (C.A.G.E.) |
| Yehuda Yannay: | Duo for flute and cello |
| Hidden Melody | |
| Marrakesh Bop | |
| Chen Yi: | Night Thoughts |
| Ludmila Yurina | Bird Bennu' Songs *world premiere **commission |
| Frank Zappa: | The Black Page |
| Michael Zerang: | Freedom #5 |
| Athanasios Zervas: | Schism II |
| Mischa Zupko: | Shunt |