| Mark Applebaum: | S-tog | |
| Sargasso (+83) | ||
| Sergio Assad: | Itaipava | |
| Svitlana Azarova: | Chronometer | |
| Virko Baley: | "... a trois" | |
| Emily Dickinson Songs | ||
| Persona II | ||
| Elbio Barilari: | Canyengue *world premiere | |
| John Baur: | Etudes for Guitar | |
| Ludwig van Beethoven: | Trio in Eb Major, Opus 20 | |
| Luciano Berio: | O King | |
| William Bolcom: | Amor | |
| Paul Bowles: | April Fool Baby | |
| Letter to Freddy | ||
| William Brooks: | Small Talk | |
| Zack Browning: | Network Slammer | |
| Herbert Brün: | Dustiny | |
| Gesto | ||
| The Laughing Third | ||
| John Cage: | 0' 00" | |
| Three2 | ||
| Variation I | ||
| Variation III | ||
| Juan Campoverde: | L'infini turbulent | |
| Elliott Carter: | Changes | |
| Figment No. 1 | ||
| Gra | ||
| Scrivo in Vento | ||
| Pablo Chin: | String Trio | |
| Kaval Imaginario | ||
| Minsoo Cho: | The Day | |
| Barney Childs: | A Music; that it might be. . . | |
| Kyongmee Choi: | Onomatopoetic Mimesis | |
| Matthew Coley: | Concealed Chambers | |
| George Crumb: | Night of the Four Moons | |
| Luigi Dallapiccola: | Ciaccona, Intermezzo e Adagio | |
| Mario Davidovsky: | Synchronism No. 1 | |
| Synchronism No. 3 | ||
| Peter Maxwell Davies: | Renaissance Scottish Dances | |
| Claude Debussy: | Syrinx | |
| Brad Decker: | BOB | |
| Montage | ||
| Agostino DiScipio: | Paesaggio scalare n.1 | |
| Paesaggio scalare n.2 | ||
| Timothy Edwards: | Onomotopoeia | |
| Hanns Eisler: | Freudenmadchens | |
| Lied der Kupplerin | ||
| Über den Selbstmord | ||
| Roman Cantata | ||
| Giuseppe Englert: | Monolith for two pianos, in memorium H.B. | |
| Morton Feldman: | Durations 2 | |
| Intersection 4 | ||
| Projection 1 | ||
| Projection 5 | ||
| Christopher Fox: | BLANK | |
| Lawrence Fritts: | Mappaemundi | |
| Vinko Globokar: | Corporeal | |
| Osvaldo Golijov: | Yiddishbbuk *Chicago premiere | |
| Geoffrey Gordon: | Bright White Smooth | |
| wrecked angels . . . | ||
| Guillermo Gregorio: | Alsina 1743 + Canaro Erratum *Chicago premeire | |
| otra musica | ||
| Ben Grosser: | If But Or | |
| Inappropriate Relationship | ||
| ]lotted ebb | ||
| Jesse Guessford: | Ann Street | |
| ENVolve | ||
| George I vs. the Very Bad Man From the East | ||
| Fareed Haque: | Airplanes #world premiere | |
| Thom Hasenpflug: | South of Jupiter | |
| Hans Werner Henze: | Serenades | |
| Charles Ives: | Memories A, -Very Pleasant | |
| Memories B,- Rather Sad | ||
| The Cage | ||
| At the River | ||
| Scott Johnson: | Cold War Suite | |
| Timothy E. Johnson: | Hospicio e Deus | |
| Sonata Urbana | ||
| Josef Jurek: | Circulation, Continuity, Eventuality | |
| Mauricio Kagel: | General Bass | |
| Faraj Karajev: | A crumb of music for George Crumb | |
| Fusun Koksal: | Around Circles' | |
| Paul Koonce: | Breath and the Machine | |
| Hothouse | ||
| Midnight Oil | ||
| Robert Kritz: | Connection #3 | |
| Evan Kuchar: | Enwrapt *Chicago Premiere | |
| David Lang: | Men | |
| Michael Leese: | Dilling Fantasy | |
| Shadows | ||
| Gustavo Leone: | Blue Sextet | |
| Green Quintet | ||
| Rami Levin: | Rain has fallen | |
| Burt Levy: | Orbs | |
| Gyorgi Ligeti: | Musica Ricercata | |
| Charles Lipp: | Diaphane, adiaphane | |
| Pieces for Bassoon | ||
| The Terrorist | ||
| Tom Lopez: | Hollow Ground | |
| Ricardo Lorenz: | Cecilia en Azul y Verde | |
| Alvin Lucier: | Letters | |
| Erik Lund: | Raccontini | |
| Witold Lutoslawski: | Partita | |
| Sacher Variation | ||
| Subito | ||
| Boris Lyatoshynsky: | Trio No. 1, Op. 7 | |
| Don Malone: | Hoe | |
| Sal Martirano: | Phleu | |
| Sampler: Everything goes when the whistle blows | ||
| Askell Masson: | Prime | |
| Mike McFerron: | Dos Paisages | |
| dARIA | ||
| Improvisations for cello and percussionists | ||
| Stationary Fronts | ||
| Winter Solstice | ||
| Thomas Mejer: | Circle Aleatorik Nos. 8, 9, 10, and 12 | |
| Olivier Messiaen: | Le Merle Noir | |
| Quartet for the End of Time | ||
| Nicole Mitchell: | Waterdance *world premiere | |
| James Mobberley: | Balancing Act | |
| Beams! | ||
| SHEBAM | ||
| Patricia Morehead: | Conversazione con il Diavolo | |
| Robert Muczynski: | Time Pieces | |
| Tristan Murail: | Tellur for guitar | |
| John Musto: | Resume | |
| Nothing Gold Can Stay | ||
| The Rose Family | ||
| Ryo Noda: | Mai | |
| Paul A. Oehlers: | Automaton | |
| Archetypal Infusion:MemEry2k | ||
| Character | ||
| Juggernaut *world premiere **commission |
||
| MFL | ||
| Residual Impact | ||
| Spawn | ||
| Three Songs after Anna Akhmatova *world premiere **commission |
||
| Helmut Oehring: | Foxfire Drei | |
| Hajime Okumura: | Jahrensfang in Japan | |
| Graciela Paraskevaidis: | libres en el sonido presos en el sonido | |
| Susan Parenti: | No, Honey, I can do it | |
| Poet Retracts | ||
| Arvo Pärt: | Psalom | |
| Krzysztof Penderecki: | Clarinet Quartet | |
| Victor Pichardo: | Albricias | |
| Deus Ex Machina | ||
| Sergey Pilyutikov: | Together with Light Air | |
| Morgan Powell: | BEATITUDES foRAY | |
| Christopher Preissing: | Conversations | |
| Hardcore *world premeire | ||
| David Psenicka: | = = | |
| 0 | ||
| normalization | ||
| Anthony Ptak: | American Copper | |
| Bubalus Bubalis | ||
| Shulamit Ran: | Private Game | |
| Soliloquy | ||
| For an Actor:Monologue for Clarinet | ||
| William Jason Raynovich: | Duet for solo violoncello | |
| Clarinet Sonata *Chicago premiere | ||
| Fantasy | ||
| into a truly | ||
| MEan | ||
| NUMB #2 | ||
| RAT | ||
| Resp’ #3 for violoncello *world premiere |
||
| Resp’ #4 for alto saxophone | ||
| Still | ||
| vc pc | ||
| WZJB in drone | ||
| World,conceive a man *world premiere |
||
| Maurice Ravel: | Chansons madécasses | |
| Sonata for violin and violoncello | ||
| Nikola Resanovic: | alt.music.ballistix | |
| Wolf Rosenberg: | Sonata | |
| Boguslaw Schaeffer: | Project for Bassoon and Tape | |
| Ruben Seroussi: | Two Saphardic Songs for guitar | |
| Jazz… á propros de Matisse | ||
| Salvatore Sciaarrino: | Come vengono prodotti gli incantesimi? | |
| Arie Shapira: | Ex Machina | |
| Jingle | ||
| Play as Written | ||
| Alexander Shchetynsky: | Epilogue | |
| Music in Memory of Bibik *Chicago premiere |
||
| Way to Meditation | ||
| Valentin Silvestrov: | Three Postludien | |
| Sergey Slonimsky: | Lyrical Verses | |
| Stuart Saunders Smith: | Noble Snare | |
| Karlheinz Stockhausen: | Dr. K - Sextet | |
| In Time | ||
| Steven Stucky: | Nell'ombra, Nella Luce | |
| Stephen Syverud: | Bevelled Forged Steel | |
| Toru Takemitsu: | Itinerant...In Memory of Isamu Noguchi | |
| Heinrich Taube: | Swansongs | |
| James Tenney: | Christ Mass Sex Dance | |
| For Ann (rising) | ||
| Harmonium | ||
| Having Never Written a Note for Percussion |
||
| Interim | ||
| Listen | ||
| Monody | ||
| Three Rags | ||
| Swell #2 | ||
| Voices 2 | ||
| Sever Tipei: | Curses | |
| dARIA | ||
| Kings Nap | ||
| Joan Tower: | Petrushkates | |
| Wings | ||
| Augusta Read Thomas: | Two Etudes for solo piano | |
| David Vayo: | Three for Two | |
| Heitor Villa-Lobos: | Choros No. 2 | |
| Craig Walsh: | Junket | |
| Lines | ||
| Gregory Wanamaker: | Duo Sonata | |
| Anton Webern: | Three Pieces for Cello and Piano | |
| Kurt Weill: | Der Abschiedsbrief | |
| Lost in the Stars | ||
| My Ship | ||
| Mr. Right | ||
| There's Nowhere | ||
| What Good Would the Moon Be | ||
| Amy Williams: | Cineshape I | |
| Christian Wolff: | Dark as a Dungeon for solo clarinet | |
| Dark as a Dungeon for trombone and double bass | ||
| Music for 1, 2, or 3 People | ||
| Music for Magnetic Tape | ||
| Pairs | ||
| Two Players *world premiere | ||
| Scott Wyatt: | In the Arms of Peril | |
| Iannis Xenakis: | Mikka | |
| Roman Yakub: | _The Middle of the Void_ (C.A.G.E.) | |
| Yehuda Yannay: | Duo for flute and cello | |
| Hidden Melody | ||
| Marrakesh Bop | ||
| Frank Zappa: | The Black Page | |
| Michael Zerang: | Freedom #5 | |
| Mischa Zupko: | Shunt | |